Short Fiction & Age Groups

YA Story Ideas

Original young adult story ideas across contemporary, speculative, fantasy and mystery, with advice on voice, stakes and how to develop a premise into a teen novel.

On this page
  1. What makes a story YA
  2. Contemporary YA story ideas
  3. Speculative and sci-fi ideas
  4. Fantasy, paranormal and mystery ideas
  5. Ideas from real life: what a 14-year-old can write about
  6. Turning an idea into a story
  7. How to write a teen novel
  8. What to read for YA
  9. Related reading

What makes a story YA

Young adult (YA) fiction is usually written for teenage readers and often features a teenage protagonist, though adults read it too. Publishers’ age ranges vary, so treat any specific range as approximate. Common features include:

  • A teen point of view. The character’s concerns feel immediate, and the voice is often close and conversational.
  • First times and big choices. Identity, friendship, family conflict, first love, independence and belonging are frequent concerns.
  • High emotional stakes. The problem does not have to be world-ending, but it should feel urgent to the character.
  • A sense of agency. Teen protagonists tend to act, rather than waiting for adults to solve the problem.

YA is a readership category, not a genre, so it contains contemporary, fantasy, science fiction, mystery, horror, historical and romance stories.

Contemporary YA story ideas

  • The group chat. A sixteen-year-old accidentally sends a private message to the entire school and has to decide whether to run from it or own it.
  • The substitute sibling. A girl takes over her older brother’s after-school job when he leaves town suddenly, and slowly learns why he left.
  • The scholarship essay. A student finds out the person who wrote the prompt for her scholarship essay is someone she has been avoiding for years.
  • Two former best friends, one project. They are paired for a school assignment and have to work together while hiding the reason they stopped speaking.
  • The family restaurant. A teen realises the restaurant her parents have run for decades is struggling, and keeps it secret while trying to help.

Speculative and sci-fi ideas

  • The archive of everything. In a near future where schools can request footage of a student’s day, a girl finds a gap in her own record that she cannot explain.
  • The countdown wristband. Every teenager wears a timer for an event nobody will describe. One teen’s timer starts behaving differently from everyone else’s.
  • The floating suburb. Teens living in a raised colony above rising water discover that the maintenance schedules hide a decision about who gets resources.
  • The clone who passed the test. A student learns she was admitted to a school because she is a copy of someone who excelled there.

Fantasy, paranormal and mystery ideas

  • The library corner. A girl claims a quiet corner of the local library as hers, then realises someone else leaves notes there that seem to know her secrets.
  • The ghost who needs a favour. A teen who can see a recently deceased classmate is asked to deliver an apology to someone who is not ready to hear it.
  • The village that forgets. Every spring, the people in a small town forget one thing. This year, a teen realises what it is, and nobody believes her.
  • The map in the locker. A new student finds a hand-drawn map hidden in her locker that leads to a series of locations around the school and a decades-old mystery.
  • A magic with a cost. A teen discovers she can undo small mistakes, but every undone mistake makes someone else forget a moment with her. For more ways to build costs into magic, see our list of magic systems.

Ideas from real life: what a 14-year-old can write about

If you are a young writer, the easiest material is often closest to home. You might write about:

  • a friendship that is changing
  • moving to a new school or town
  • a family tradition you are not sure you want to keep
  • a hobby or sport that matters more than you expected
  • a decision where you disagreed with a friend and neither was entirely wrong

You can disguise the real situation with a different setting, such as a fantasy school or a space station, while keeping the emotions true. Short stories are a good way to practise. See the examples and structure tips in our guide to imaginative short stories examples.

Turning an idea into a story

A premise becomes a story when you answer a few questions:

  1. Who is the main character, and what do they want right now?
  2. What is in the way? The obstacle can be a person, a rule, a secret or the character’s own fear. See what the problem of a story is.
  3. What happens if they fail? Stakes make readers care.
  4. What is the “what if” that makes this different? For example, “what if a school really did record everything?”
  5. How will the character have changed at the end?

Write your answers in a few sentences. If they feel flat, adjust the stakes or add a complication that forces a harder choice.

How to write a teen novel

There is no single method, but this sequence works for many writers:

  1. Choose a premise and main character, and decide on the voice. First person and close third person are both common in YA (see writing in first person).
  2. Outline loosely: opening situation, a disruption, escalating complications, a crisis, and an ending that shows change.
  3. Write a draft without editing too heavily. A finished messy draft is more useful than a polished first chapter.
  4. Revise for voice. Teen dialogue should sound natural without relying on slang that dates quickly.
  5. Revise for pacing. Chapters often end with a question or a shift, which keeps readers turning pages.
  6. Get feedback from readers who actually read YA. Our guide to how to critique a story explains how to ask for useful notes.

A novel is long, so some writers test an idea first as a very short piece. Our flash fiction ideas can help you try a premise in a few hundred words.

What to read for YA

If you want to write YA, read widely in the category, including recent releases and a few older favourites, across contemporary, fantasy and science fiction. Libraries, school librarians and teen reading lists from library associations are good sources of recommendations. Note what hooks you in the first pages, how the voice is established, and how chapters end.

If you prefer to write for younger readers instead, see how to write an introduction to a children’s book. If you are interested in character-driven writing with more subtle stakes, read writing literary fiction.

The complete guide to short fiction & age groups

Imaginative Short Stories Examples
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